Author Archives: bobatkins

New Canon 35mm Full Frame CMOS VIDEO sensor

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Canon have announced a new full frame 35mm sensor designed for Video use. The sensor has a 16:9 aspect ratio and a 43mm diagonal (since they say it used the full image circle of EF series lenses). Though they don’t give size or pixel count, by my calculations (solve the equationc…) it looks like it is around 37.5mm x 21mm and the pixel count is just over 2MP as would be expected for a 1920 x 1080 full HD image. Each pixel has about 7.5x the area of an EOS-1D X pixel.

TOKYO, March 4, 2013—Canon Inc. announced today that the company has successfully developed a high-sensitivity 35 mm full-frame CMOS sensor exclusively for video recording. Delivering high-sensitivity, low-noise imaging performance, the new Canon 35 mm CMOS sensor enables the capture of Full HD video even in exceptionally low-light environments.

The newly developed CMOS sensor features pixels measuring 19 microns square in size, which is more than 7.5-times the surface area of the pixels on the CMOS sensor incorporated in Canon’s top-of-the-line EOS-1D X and other digital SLR cameras. In addition, the sensor’s pixels and readout circuitry employ new technologies that reduce noise, which tends to increase as pixel size increases. Thanks to these technologies, the sensor facilitates the shooting of clearly visible video images even in dimly lit environments with as little as 0.03 lux of illumination, or approximately the brightness of a crescent moon—a level of brightness in which it is difficult for the naked eye to perceive objects. When recording video of astral bodies, while an electron-multiplying CCD which realizes approximately the same level of perception as the naked eye, can capture magnitude-6 stars, Canon’s newly developed CMOS sensor is capable of recording faint stars with a magnitude of 8.5 and above.

via Canon Global : News | News Releases.

New Phase One Digital MF backs

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Phase One announces the Phase One IQ2 series: three new full-frame 645 format digital camera backs with high-speed wireless connectivity and 13 f-stops of dynamic range, plus new options to meet specific photographic goals.

via Phase One press releases.

Refurbished EOS 5D MkIII from Canon – $2397.33

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Canon have a number of EOS 5D MkIII refurbished bodies in their online store. My guess is that they don’t have many. In the past popular refurbished bodies have sold out quickly. Refurbished directly from Canon is usually like new. I’ve bough refurbished items from them in the past and they’ve been perfect.  Their price is $2397.33. A new EOS 5D MkIII from B&H is $3149 and a new EOS 5D MkIII from Adorama is $3299, so buying a refurb directly from Canon will save you at least $750.


EOS 5D Mark III Body Refurbished from the Canon online store
$2397.33

Saving Endangered Photographs

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Scientists use the molecular makeup of million-dollar masterpieces and family snapshots to conserve and authenticate them

via Saving Endangered Photographs | February 25, 2013 Issue – Vol. 91 Issue 8 | Chemical & Engineering News.

PDN’s 30 2013: New and Emerging Photographers to Watch

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One of the more satisfying aspects of working on the PDN’s 30 issue each year is the opportunity to get to know the people behind the portfolios of images that stood out to PDN editors from among the more than 300 we received from photographers all over the world last October.

via PDN's 30 2013: New and Emerging Photographers to Watch.

Three New Cyber-shot™ Cameras

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“…The slim, super-stylish Cyber-shot WX300 camera is the world’s smallest and lightest digital still camera that packs a powerful 20x optical zoom range…”

“… the power-packed Cyber-shot HX300 offers photographers long-zoom capabilities in a compact, versatile package. Featuring a huge 50x optical zoom range (24mm-1200mm equivalent)…”

“…Great for swimming, snorkeling, skiing or any other kind of outdoor activity, the Cyber-shot TX30 is the world’s slimmest waterproof digital compact camera…”

via Sony Launches Three Powerful New Cyber-shot™ Cameras for Capturing all the Action — SAN DIEGO, Feb. 25, 2013 /PRNewswire/ —.

Sony Introduces the α NEX-3N

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“…Sony’s new α NEX-3N digital camera delivers professional quality photos and Full HD videos in an ultra-compact body weighing in at just under 7.5 ounces, making it the world’s smallest and lightest interchangeable lens camera with an APS-C size sensor…”

via Sony Introduces the α NEX-3N: The World’s Smallest and Lightest Interchangeable Lens Camera with an APS-C Size Sensor | Sony.

Curiosity Self Portrait Panorama

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This remarkable self-portrait of NASA’s Mars Curiosity Rover includes a sweeping panoramic view of its current location in the Yellowknife Bay region of the Red Planet’s Gale Crater.

via APOD: 2013 February 22 – Curiosity Self Portrait Panorama.

Film still has (some) uses…

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6 of of the 9 best picture nominations at this years Oscars were shot on Kodak Film ( Argo, Beasts of the Southern Wild, Django Unchained, Les Miserables, Lincoln and Silver Linings Playbook) Not sure if the others were shot digitally or used some other brand of film (assuming someone else still makes 35mm movie film!).

In fact Kodak say:

…no best picture winner in the Academy Award’s 84-year history has been made without film…

That’s an intersting choice of words though. There’s a difference between the film being shot on film and a film not “being made without film”. I guess they are saying that so far no purely digital film has won the Oscar. It’s also the case that distributors are no longer making 35mm prints of film for projection, so even if a move was shot on film, what you see in the cinema is now a digitally projected version of it.

via Kodak Celebrates the Oscars®.

Aperture Magazine Relaunch

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Aperture magazine has been around for 60 years, but starting with the Spring 2013 issue it’s had a makeover and will be taking a new direction.

“…What should a photography magazine be? This question propelled a long conversation at Aperture Foundation about how we can navigate the next chapter of photography’s evolution and make a vital contribution as a print publication. The new Aperture was created with two steady assumptions in mind: First, that in a time when photography is abundant on digital platforms, images in print—ink on paper—continue to offer a uniquely actual experience. Second, that a magazine can engage photography’s changing narrative—while remaining attentive to the medium’s history—through thoughtful, accessible writing

via Editors’ Note from Spring 2013 Issue – Aperture Foundation NY.